They visited the fuse boxes together while he could still walk. She learned to make the special bird-food blend and his mother’s pies. He taught her to drive the leaky Jeep with the snowplow attachment which she did not intend to use. The late April blizzard forced her to. There were divots, but she rearranged the drifts. Cold and wet, she needed warmth, something to offset the recent chill. She slid open the fire screen. A perfect start lay waiting there, balled-up newspapers and kindling, his last gift. It must have taken all his strength. She lingered with the match between her fingers, but struck it, that’s what he intended, for her to feel his heat one last time.

Elizabeth Kerlikowske’s

first full-length book of poetry, Dominant Hand, is available from Mayapple Press, and she is co-author with artist Mary Hatch of Art Speaks: Paintings and Poetry (Kazoo Books, 2018). Other books by Kerlikowske include The Shape of Dad (a memoir in prose poems), Last Hula (winner of the 2013 Standing Rock Chapbook Competition), and Chain of Lakes.

She has been publishing her poetry and fiction for more than 20 years in such journals and magazines as Encore, Cincinnati Review, Passager, and Poemeleon, among others. Her work is anthologized in Nothing to Declare: A Guide to the Flash Sequence (White Pine Press, 2016), The Female Complaint: Tales of Unruly Women (Shade Mountain Press, 2015), and the Michigan writers anthology published by Western Michigan University (WMU). She also creates visual art and has recently completed the Hester Prynne Chair, first of a series of literary women chairs.

Kerlikowske completed her doctorate in English at WMU in 2007. An arts activist, she has served for many years as the president of the Kalamazoo Friends of Poetry, and she is also president of the Poetry Society of Michigan. She recently retired from a teaching career at Kellogg Community College.

More on the Web: By, About, and Beyond

⚡ Featured Artists Mary Hatch and Elizabeth Kerlikowske in KYSO Flash (Issue 9, Spring 2018); includes half a dozen of Kerlikowske’s ekphrastic prose poems and micro-fictions inspired by Hatch’s paintings

⚡ Three in Prose by Kerlikowske in DIAGRAM (Issue 5.1): “Forty Winks,” “The Girls’ Room,” and “Midway”